Gender in ‘The Importance of Being Earnest’ Essay

Dramatic comedy originated in ancient Greece in 5th century BC, centred around loose p attracter lines and exploiting veritable situations finished parody, farce and mockery. Comedy started developing in 4th degree Celsius BC where intricate plot lines were introduced, comm unless based around honor and romance and usuall(a)(a)y culminating in a satis detailory and happy resolution. This is more interchangeable the structure of The Importance of Being Earnest as the duck soup revolves around the growing relationships of both diddly-shit and Gwendolen and Algernon and Cecily. Oscar Wilde has reversed the roles of gender in this play, the females ar those who take the lead and ar seen as the most governing partings throughout a very bizarre layout in a succession period where men were seen as the head of the family and the most assertive figure. skirt Bracknell is the most domineering character throughout the play, and this a result of the liquid and rather unnatural la nguage she uses. She takes on the role of her husband in Act 1 when m differentfucker asks for Gwendolens hand in union- I feel obliged to pick out you that you are non down on my list of eligible young men this was often the fathers role.Throughout the conversation it is quite apparent that bird Bracknell holds all the power, and Wilde does this through all the marvels she asks. Additionally, her questioning seems rather irrelevant and ridiculous at times, she asks Do you smoke? to which bozo admits he does and madam Bracknell replies I am merry to hear it. A man should al focusings cede an occupation of few kind. Here the addictive habit that Jack has taken up is being compared to a profession and is creating humour due to the nature of the question and how much apparent importance it holds. It seems as though Wilde is using Lady Bracknell to mock those in authority 1 by presenting her as a character with no real agenda to her long and painful questioning other than t o talk. In Act 3, Lady Bracknell makes another bulge outance, which only highlights her towering advertise in the play.She has come to Jacks house in the solid ground to retrieve Gwendolen and take her home and makes it quite clear that her husband does not know where Gwendolen really is Her unhappy father is, I am refulgent to say, under the impression that she is attending a more than lengthy address by the University Extension Scheme on the influence of a everlasting income on Thought. I do not propose to undeceive him. This would deal been seen as quite unusual at a time where wives wouldnt have gone behind their husbands backs, thus reinforcing Lady Bracknells authoritative demeanour and leaving the audience amused.Furthermore, Wildes portrayals of both Gwendolen and Cecily run parallel to one another. They mirror each other and are the assertive half of their relationships with Jack and Algernon. This is first shown between Jack and Gwendolen when Jack proposes. Jack ann ounces his love for Gwendolen and she in turn, offers it back. Jack then says ..I mean we must(prenominal) get married at once. There is no time to be lost. To which Gwendolen replies But you havent proposed to me yet. Nothing has been said at all virtually marriage. Gwendolen is taking control of the situation and is expressing what she desires for Jack to then let her, her wishes. This is the same pellet where Jack lies about his name once once again to Gwendolen. Selfishness and servility are the moral alternatives presented Katherine Worth. Gwendolen admits she could never love anyone with the name Jack for there is very little music in the name Jack. This, to the audience seems rather pompous and shallow and is why it is humorous. And subsequently all that Gwendolen has said, Jack does indeed go along with this though, and continues to call himself Ernest.In the scene where Cecily and Algernon first meet, Algernon also lies about his straight identity he introduces hi mself as Jacks brother, Ernest. Whilst Cecily and Algernon are talking in the garden, Jack arrives home. He confides in Miss Prism and Chasuble that his younger brother Ernest died in capital of France of a severe chill. At this moment in time, the audience are taking great pleasure at the concomitant that they know something the characters do not that Jacks so called brother is in the garden. Afterwards, Cecily confesses to Algernon that they have been engaged for the past three months, and Algernon submissively accepts this to be both true and normal. This is the first indication of who the most assertive figure is in their relationship. The fact that Cecily writes to herself, on the behalf of Ernest is rather ridiculous, and once again Algernon goes through with this.She continues on to tell him when their engagement was broken off, shesays It would hardly have been a really real engagement if it hadnt have been broken off at least(prenominal) once. But I forgave you forwar d the week was out she talks about how their engagement wouldnt have been serious, although it had never even happened and this displays marriage to be not all that serious in itself. In state to this, Algernon thanks her for forgiving him for something he did not do, What a perfect apotheosis you are Cecily. This only highlights that he is inferior to her.When Cecily and Gwendolen meet each other at Jacks house in the country, a lot of amazement is caused for they both think they are engaged to the same man. But before they stumble across this realisation, they become friends instantly Gwendolen says ..Something tells me that we are going to be great friends to which Cecily replies How nice have you to like me so much after we have known each other such a relatively short amount of time. The girls then find out they are in competition with one another and their friendship turns sour. This is comical due to the fact that vertical a few seconds ago they were very friendly and winning to one another.When both Jack and Algernon approach and the matter is cleared up that neither one of them is Ernest and that they have been lying to the women, Cecily and Gwendolens relationship takes a u-turn, not back to friendship, but to sisterhood. This was foreshadowed in Act 1 where Algernon says Women only call themselves sister when they have called each other a lot of other things first. Cecily and Gwendolen storm off into the house and Algernon and Jack horrific hold back, where Algy begins to scoff the muffins and they start to blame one another for what just happened and it takes them a while before they approach the women in the house. However when they do it also doesnt take long for both women to forgive them, they play off themselves frequently in the process Gwendolen But we will not spill the beans firstCecily Certainly notGwendolen Mr Worthing, I have something very incident to ask you. Much depends on your reply. The irony of the situation is wha t is so amusing, the women cannot quench silent and wait for the men to speak, once again they have to be in control of the situation. However, the play began in turmoil but (ended) in harmony 2 as both couples were happily reunited.All throughout the play, women like to think they are the leaders and the superior, and on the surface they do appear to be, with their high demands being answered and always leading the conversations in which ever way they wish but at the end of the day, they always forgive or accept only what a man can offer, even if they demanded more.Bibliography1 Barbara Bleiman, Anna Sarchet and Lucy Webster analyze comedy (2012) 2 Susan Snyder The Cambridge companion to Shakespeare (2001)