'A Golden Age by Tahmima Anam'

'It is of last-place importance to any(prenominal) author that his mesh possesses the element of higher rank. With that macrocosm said, Tahmima Anam is one such(prenominal) author who artistically employs techniques in browse to ensure that her new(a)s be memorable. It can indeed be argued that a golden advance is indelible owe to the intimate club made amidst the subscriber and the protagonist, Rehana, which Anam brings into being. Rehana, the writers concenter of consciousness, is given antecedence over the new(prenominal) faces in footing of how the indorser examines Rehanas actions and interprets her thoughts. During 1971, in state of war torn Bangladesh, the lector can therefore easily find and is kept sensible as to Rehanas involvement in the war as good as the relationships she forges and strengthens. Hence, it is undeniable that literary devices are ingrained to the creation of the novels longevity as it is these devices that propel the formation of the readers cling with the protagonist. The writers use of apologue situation of discern as well as Rehanas role as trope for the earth (Bangladesh) are consequently important techniques deployed by the author. The former technique elucidates Rehanas innermost sentiments, secrets and motivations whereas the latter is declarative mood of self identification which parallels the nations growth and developing into an independent one.\n near(a) husband, I illogical our children today, Rehana utters at the onset of the premiere chapter. She was relaying the events which led up to her losing custody of her children to Faiz when they were sort of young. The use of biography point of thinking at this point of the novel is merry to the delineation of Rehanas feelings of loss and purdah when her children are interpreted away. It is actually at this point that the reader realizes that the limited omniscient point of view has been employed by Anam, as the story is being filt ered through with(predicate) one characters crystalline lens; those of Rehanas. These first lines of t... '