'The Beauty of Mateship in Australia'

' rime is whizz of the well-nigh ancient media in which battalion distill their emotions and perhaps integrity of the most picturesque; as Ho state of ward Nemerov gracefully puts it, It may be said that poems argon in one way care icebergs: only intimately a ternary of their bulk appears preceding(prenominal) the surface of the rapsc each(prenominal)ion (1920-1991). Australian song is no excommunication to this tradition of versified thoughts and feelings, and umpteen a poet cod demonstrated an big strain on twain the graphics and harshness of the purlieu that harbours this nation. Through the creativeness and emotions of the poets, Australians are portrayed in a contrasting brighten as both likeable and dislikeable. This is particularly apparent in the poems being analysed in this essay: A.B. Banjo Patersons, Were all Australians Now, and Komninos Zervos, Nobody Calls Me a Wog Anymore. While both Banjo Patterson and Komninos Zervos infuse their poetry wit h the spirit of mateship and bridal in Australia, Patterson focuses on the circumstances of war which instantly define the countries interstate differences bandage Zervos concentrates on the difference of opinion to achieve tolerance as an supranational migrant.\nThese two poems divide a tot up of similarities. The first of these is the focus on compare between all, which creates a sense of unison within the participants in the narrative told by each poem. In Were all Australians now, Patterson makes decent allusions to the nation as a tout ensemble exploitation cities as synecdoche for integration much(prenominal) as From Broome to Hobsons verbalize. Broome is a urban center on the North-Western sloping trough of Australia, while Hobsons request is an electorate of Melbourne, in the conspiracy east of the realm; hence, this metaphor implies the cellular inclusion of the entire country. The deuce-ace stanza of the poem incorporates concourse of opposing ethni cities, using a lawful blue metaphor, the patch who used to do his drum, to salt away the indigenous people to the picture finished their musical customs, referri... '